Comic Strip History - The Grawlix

Brewster Rockit, Space Guy, April 25, 2026

In times past, when I've covered words or phrases that originated in a comic strip, generally they had a major effect only on the English language, and sometimes only American English. This time, however, we have something that appears to have affected multiple cultures and languages across the world, even while still remaining entirely unpronounceable. Everyone has seen it, and it's immediately recognizable. It's a series of punctuation marks and symbols that indicate someone or something is emitting profane or vulgar language (for example, "@&%$!"), which these days is most commonly known as a grawlix.

The first appearance of a grawlix, that we know of, was in a strip called Lady Bountiful, drawn by Gene Carr, published on November 1, 1901. Ruldolph Dirks, creator of the Katzenjammer Kids, is often cited as the first to use a grawlix, but examples of this in Dirks' work can't be found until a year after the Lady Bountiful strip. However, the popularity of the Katzenjammer Kids was certainly instrumental in popularizing its use. Given that one of the main characters of the strip was a ship captain, and the strip would often feature other characters who were sailors, they cursed just like them, too. Such cursing would, of course, be "censored" by the grawlix.

In the earliest uses, all types of symbols were included, not just punctuation marks, though the exclamation point was very common and was generally expected to appear. Other common symbols were five-pointed stars, spirals, skulls, and in the case of Dirks' sailors, an anchor. Grawlices have mainly been used in comic strips with a more humorous tone; they have always exuded a certain air of whimsy, so they may seem out of place in a strip with more serious drama. Still, they can bring a more fun and comedic air to an action and adventure strip, and cartoonists such as Harold Gray, in Little Orphan Annie, and Chester Gould, in Dick Tracy, were not afraid to employ them from time to time.

It wouldn't take long for this to become a convention in not only newspaper comics, but also comic books. In the modern age, it seems the grawlix has broken free of comics entirely, and can often be seen in various textual media, everywhere from published books to social media posts. While I'm not an Internet historian, I can also imagine it being very useful even from the early days of the Internet, back when the only way to send information of any kind was through the use of text. Further, because of the nature of it, the grawlix isn't restricted to use within any particular language. People around the world are able to use it and still be understood. In fact, the official emoji for an angry person using profanity (🤬) (officially known as "serious face with symbols covering mouth") has a censor bar with a grawlix on it.

But where did the word "grawlix" come from?

In 1946, columnist Charles Rice in the newspaper supplement tabloid This Week wrote a humorous column titled "Squeans, Plewds, and Briffits, or How to Be A Cartoonist," in which he presented several visual conventions of comic strips along with the names of such. The column was written in a way that suggested these words already existed and were in use among cartoonists, though Rice had made them all up himself. There was, however, no mention of a grawlix in Rice's column. At that time and since, one can find others using words and phrases such as "cursing characters" or "obscenicons," but "grawlix" had not yet been invented.

Squeans and Plewds

Enter Mort Walker.

Clearly inspired by Rice's column, Walker, creator of Beetle Bailey, wrote a column for the National Cartoonists Society magazine The Cartoonist entitled "Let's Get Down To Grawlixes." This column, published in 1964, cites Rice as an inspiration and includes all of the words he coined in his article for This Week, but goes even further by coining terms for many other visual conventions of the comics medium, including the grawlix. Of the grawlix, Walker wrote:

A variety of acceptable curse words are at the cartoonist's disposal. He may throw in a new one from time to time, but the real meat of the epithet must always contain plenty of jarns, quimps, nittles, and grawlixes, as shown.

In his book Mort Walker's Private Scrapbook, Walker says this article was originally meant to only be a joke, but his son Brian convinced him to expand the idea into an entire book. In 1980, this would become the seminal reference work for all of these comic words, The Lexicon of Comicana.

As a side note, despite citing Rice as an inspiration in the The Cartoonist article, in Private Scrapbook Walker claims to have invented all of the words he included in the Lexicon which, as has been shown, is not true. Many of the words both in the The Cartoonist article and in the Lexicon were borrowed from Rice, and in the Lexicon Walker even recreated Rice's illustrations of plewds and squeans, complete with Rice's captions. That said, in his book Backstage At the Strips, Walker begins by writing, "If the stories in this book are not exactly told the way they happened, it's the way they should have happened if God had been a better gagwriter -- or if I'd had a better memory." So I guess that applies to Private Scrapbook as well.

Squeans

Plewds

But I digress. In The Lexicon of Comicana, in a section of the book titled "Maladicta," Walker introduces the grawlix and its relatives in a way similar to their introduction in the The Cartoonist article:

Even in today's permissive society many four letter words are not permissible in the comics. Even though profanity may be used in other sections of the paper, people feel that, since children read cartoons, the comic section should be inviolate. Cartoonists, therefore, have had to develop acceptable substitutes. A first sergeant would lose a lot of his charm if he said, "Gee whiz, Beetle. You make me so terribly mad!" So the creative mind came up with a variety of "jarns," "quimps," "nittles," and "grawlixes" to help convey a sergeant's strong emotion and add color and dimension to his personality.

Jarns, Quimps, Nittles, and Grawlixes

It's interesting to note that, in both the The Cartoonist article and in the Lexicon of Comicana, Walker names a number of different profanity replacements consisting of various shapes and symbols, the grawlix only being one of many. A jarn appears to include only spiral type shapes, a nittle includes various star shapes, and a grawlix appears to only consist of formless squiggles. Yet, "grawlix" would be the word that would come to describe all of these varying maladicta over the course of time. This may have been because it's the most interesting and memorable of the words, or perhaps because Mort Walker himself decided to lump them all together at some point. I can't be sure.

Whatever the reason, by 2018 dictionaries had begun to take notice of widespread enough use of the word that they started including it. Webster's added it in 2018, the official Scrabble dictionary added it in 2022, and the venerable Oxford English Dictionary added it in 2025.

For more information:

Obscenicons A Century Ago and More on the early days of obscenicons at Language Log

Grawlixes Past and Present by Gwillim Law

Charles Rice's column in This Week at Weird Universe

Backstage At The Strips and Mort Walker's Private Scrapbook at The Internet Archive

What the @#$%&! Is a Grawlix? at ThoughtCo.

What the #@*% is a ‘grawlix'? at Merriam-Webster

Why Cartoon Characters Curse Like This at the Vox YouTube channel

Grawlix and the Lexicon of Comicana at A Way With Words

Unexpected Comic Strip Creators - Charles Addams

Out of This World, January 2, 1957

Charles Addams is best known as the creator of The Addams Family, a group of strange, monster movie adjacent characters who first appeared as cartoons in The New Yorker magazine.

The magazine first began printing cartoons by Addams in 1932, and he joined the cartooning staff of the magazine in 1935. Certain recurring characters who would later be associated with The Addams Family began appearing in his cartoons in 1937, but it wouldn't be until the next year that he would collect them together into a recurring feature titled "The Addams Family". In 1964, when the television show based on said characters debuted, they would finally be given names, which were provided by Addams himself.

Since 1964, the Addams Family has appeared in TV shows, animated cartoons, movies, and streaming series, but around the 1950s the main place to see them, or any other Charles Addams cartoons, was either in The New Yorker, certain other magazines like TV Guide or Colliers, or in books collecting his work. If you looked for it in the newspaper you would be very disappointed. That was, until 1955 when the McClure Syndicate began publishing a weekly black and white panel by Charles Addams titled "Out of This World" (which I have mentioned before). There isn't much information available on this, but here's what I could find.

Read more…

Unexpected Comic Strip Creators - Stan and Jan Berenstain

Sister, March 19, 1955

Stan and Jan Berenstain (not Berenstein, and no we will not be discussing the Mandela Effect today) are of course best known for creating the series of children's books The Berenstain Bears. Books in the series have been published since the 1960s, and are still published now, overseen by Stan and Jan's son Mike. A much less well known fact is that the Berenstains had a fairly long cartooning career prior to creating the Bears, even creating a syndicated newspaper comic.

Read more…

The Dropouts, December 31, 1971

The Dropouts, December 31, 1971

Click the image to see a larger version.

Howard Post is best known for his work on various Harvey Comics publications, most notably Casper the Friendly Ghost, as well as a couple series at DC Comics. His only syndicated feature, The Dropouts, lasted from 1968 to 1971, and was an interesting spin on an old cartoon premise. The two main leads get shipwrecked and stranded on an island, but it's hardly deserted. There is a whole society of people living there, who are called "natives" but who you could easily assume were also shipwrecked and just made the best of it.

Here we see one of the "natives," named Chugalug, celebrating the holidays. While Alf and Sandy aren't incorrect that the time for celebrating the new year has come, traditionally today would only be the seventh day of Christmas, and it doesn't end until the first week of January. Based on this, we can only surmise that either the natives of this island are very traditional Catholics, or that Chugalug is just living up to his name and drank too much alcohol.

Penny, December 28, 1961

Penny, December 28, 1961

Click the image to see a larger version.

It's about time to wind down the Christmas season, and wind down the year, but of course people like to leave their Christmas decorations up for as long as possible. Sometimes they even leave them up all the way to the following Christmas. The best way to keep a live tree from drooping is to take a good slice off the bottom of the trunk before putting it in the water, add water regularly, and mix in whatever they call that Christmas tree food that all the stores seem to have these days. That's what I've heard at least. Horticulturists can feel free to correct me if they wish.

One thing that I haven't heard of, though, is using hairspray. I imagine that would hurt the tree more than help it. The needles and branches might not droop, but I don't think they would be alive any longer. Also, if Father has resorted to using hairspray, I don't think he's been taking proper care of the tree in the first place. Maybe he should let Penny be in charge of that next year.

The Flibbertys, December 25, 1954

The Flibbertys, December 25, 1954

Click the image to see a larger version.

Unlike the last Flibbertys comic I posted, this time it's spelled correctly on the page. Similar to that comic, however, is the fact that the parents, at least the dad, seems to be acting much like the kids do after he opens his present. I think it would have been great if someone had also given him a pair of skis to go with his golf clubs. Is ski golfing a thing? It seems like someone must have tried it once.

Big Sister, December 28, 1954

Big Sister, December 28, 1954

Click the image to see a larger version.

As you can probably gather from the dialogue in this strip, Big Sister and the boys found a lost puppy at Christmas and decided to keep him, but Father thinks it's best to return him to his owners. The idea that the puppy was actually a gift from Santa may make sense to a kid, but I'm not sure how the logistics would work. Santa having a bunch of toys and candy and whatnot in his giant, magic bag is fine, but I'm sure it would get weird as soon as he started stuffing live animals in there. It's a magic bag, sure, but I just don't think they would be comfortable. And would he have to feed them along the way? There are too many questions. So, for those who have kids, if you get them a pet for Christmas, avoid the questions and don't tell them it came from Santa (and realize that what you've actually done is buy yourself a pet for Christmas).

Off The Record, December 25, 1954

Off The Record, December 25, 1954

Click the image to see a larger version.

Earlier this month I posted an Off The Record Sunday, noting that it was still a mystery to me why the Lambiek Comiclopedia listed the creator of the strip as Carl Kuhn, when I could find nothing about him drawing or writing the strip or even being a cartoonist.

The plot has thickened.

On December 23, Lambiek updated their page on Ed Reed, which is where it says Carl Kuhn created the strip, to say that Kuhn passed the strip to Reed in 1940. This is impossible, given that the strip I posted earlier in the month is from 1938 and has Reed's name on it. Since posting that strip, I had wanted to go back and find out for myself who really did start it, so I took today's strip as an opportunity to find out once and for all.

Allan Holtz in American Newspaper Comics lists the start date as November 19, 1934. So, I went to Newspapers.com, searched for Off the Record by Carl Kuhn on that date, and found nothing. I did the same search for Ed Reed, and found out two things: One, Ed Reed is credited for Off The Record on November 19 and Carl Kuhn is nowhere to be found, and two, Allan Holtz is wrong about the start date, because I found Off The Record running as far back as October 29 of that year. This means that both Holtz and Lambiek are wrong, and I still have no idea who this Carl Kuhn is. I guess I'd better contact Lambiek with my findings and see what they say.

Anyway, here's a Christmas comic strip that I thought was mildly funny.

There Ougtha Be A Law, December 25, 1971

There Ougtha Be A Law, December 25, 1971

Click the image to see a larger version.

A reminder to always write your gags and draw your comics far ahead of deadline so you don't end up working on Christmas.

Merry Christmas, everyone!

Channel Chuckles, December 24, 1954

Channel Chuckles, December 24, 1954

Click the image to see a larger version.

Here's another pre-Family Circus era Billy on Bil Keane's first syndicated comic strip, Channel Chuckles. I know the theme of the strip is television, but I think this one is kind of a stretch. Stockings are hung over the fireplace so that Santa will see them when he emerges from going down the chimney, so I'm not sure how he would miss them if they were hung in their proper place. Plus, while Santa is delivering all the toys, does he stop to watch TV as he eats his cookies with milk? If he's going to get to all the children around the world, I'm not sure how he has time for that. Elf magic allows for it, I guess.